My Kingdom for a Harp
Orchestrators Matt Castle & Frank Galgano take on a Golden Age Score with an Off-Broadway budget, and magic ensues.
Take Me to Church
I did not realize at the time how unique this was: the nature of these open channels of knowledge-exchange and question-asking that was consistent throughout the entire process. But I also realized only in retrospect the profound amount of grace and generosity it took for that room to be as collaborative as it was. Asking questions unabashedly, admitting you don’t know something (and maybe you don’t even know how to ask what you don’t know), is scary. Holding space for those questions can be heavy. Coming back the next day and doing it all again is very brave
Theatre That’s Handmade
Theatre That’s Handmade // by Ken Fallin Illustrator Ken Fallin is invited to participate in ONCE UPON A MATTRESS in an unconventional way. I am a freelance artist who has tackled everything from big ad campaigns for major corporations, to drawing Renee...
The Comfort in Creature
Actor Danny Kornfeld cracks open his artistry by owning his uniqueness in RENASCENCE.
What Helen Keller Taught Me
As a 13-year old, actor Zoe Wilson feels seen as an artist for the first time in THREE DAYS TO SEE.
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